Venus Disarming Cupid

Alright.

I’m a person always up for a challenge or a great creative idea.  Creative ideas are my blood and the air that I breathe.  But when Melanie, an artistically-minded Yellowknifer, wrote me to see if I would be able to do a nude shoot of her – I was in for a challenge.  Melanie’s idea, or question to me, was brilliant:  could I  photograph her in a way that would make it look like a classic paintings which she has a strong appreciation for.  Although I had absolutely no clue if I could pull it off or not, I said yes.

Last week Tara – one of my talented assistants – and I prepped for the shoot.  Pouring over pictures of paintings from masters like Bellini, Bouguereau, and Titian – both images that we found online and images that Melanie sent as her inspirations – we selected some that we thought we could pull off a similar pose without too much difficulty on the post-processing (more on that shortly).

Melanie arrived, and after a few minutes of nerves, she did beautifully, and pulled off some poses that were straight out of a different era.  I was careful to match the lighting as close as possible to what I saw in the paintings and Tara concentrated on the set-up of each scene (we photographed 8 or 9, total), and Melanie’s pose.

So after the shoot, it was now my time to panic.  I am not much of a Photoshop guy.  Lightroom, yes.  I spend a lot of time in Adobe Lightroom.   But this was something that would require A LOT of Photoshop, to properly have Melanie become a part of the painting.  My goal was not to have her 100% become part of the painting, but somewhere just close enough that you have to stare at it for a minute to see where she does and doesn’t fit.  Sort of like a 3-D representation.  But for a person who really doesn’t know that much in Photoshop, this would definitely be a learning experience for me.

So….after an insane FIVE hours of Photoshop work, here’s the first that I’m going to release in this new series which will be titled, Visions of Venus.  The name of this particular work is Venus Disarming Cupid, originally painted by by the Italian artist Alessandro Allori in the Renaissance period.  Here’s our updated interpretation of his great work.  Watch for more from this series in the near future.

PS – Melanie….you’re a rock star.

Venus Disarming Cupid, Circa 2012 - Click on image to see larger

    8 Responses to “Venus Disarming Cupid”

  1. March 21, 2012 |
    Angela says:

    Wow!! Great work! And, kudos to the model for her confidence and vision :)

  2. March 21, 2012 |
    Stef says:

    I love it!!

  3. What a great idea! Beautifully done.

  4. What a cool Idea! I love art from the renaissance era, I find its so romantic. This is going to get your photoshop skills in tip top shape!

    Also this kind of reminds me of an artist I stumbled across the other day, except he went in a bit of a different direction, its quite cool.
    http://www.petapixel.com/2012/03/20/photographs-of-invisible-man-blending-into-beijing-locations/#more-48457

  5. While all your images are great, this one really bridges a technical (post processing) gap that just shows you can do pretty much anything. Kudos to you and Melanie DOES rock. Very beautiful.

  6. March 22, 2012 |
    Christy Cudmore says:

    WOW! Now THIS is beautiful! Great job Dave!! I LOVE IT!
    PS Melanie wow u are gorgeous!

  7. April 19, 2012 |
    Lin says:

    All I can say is “W O W”. David, you have reached the next level of creativity!

  8. A Very interesting project however, if am allowed to pass some constructive help feel the following :
    The Head in the Photo/painting is too large for the body and the cloth on the hips is not
    elegant and serves no purpose it actually makes the hips fatter and the curve of the waist is missing the expression in the original of Allori is that of a woman of power over cupid not I feel as in yours a touch of anger also perhaps the hand raised towards the bow can vanish. . .I am trying to help not hurt. . . I have some experience with paint and people
    Best M

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